Last Exit to Brooklyn

Few books have aroused so much strong feeling as Last Exit to Brooklyn, with reactions ranging from the highest admiration, through horror, pity and disgust, to the blind fury of those who are opposed to the exposure of social evil. Its merits, challenged first by private and then by public prosecution, have been tested in the courts. Those who have spoken for it, both as an original work of modern fiction and as a true documentary account of life in a section of Brooklyn, leave us without a doubt that it is one of the most important books of the post-war period. The characters who inhabit the book are unforgettable: Harry, the strike leader, who during his weeks of power discovers something of his true nature; Tralala, who rejects the only love she is offered and sinks swiftly to the lowest level of prostitution; Georgette, the 'hip queer' with pathetic aspirations to culture; Abraham, the 'cool ass' black stud, with his girls, his 'bigass' Cadillac, and his undernourished family; the debris of American civilisation, for whom the author ultimately makes us feel a profound compassion.