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Andrew Asibong
ISBN: 9780719074233
Format: Hardback
Publisher:Manchester University Press
Edition: illustrated edition
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This is the first full-length study of the films of Francois Ozon, director of such diverse films as 8 femmes, Swimming Pool, 5x2 and Les Amants criminels. Andrew Asibong's passionate and critical analysis focuses on the extent to which Ozon's seemingly light touch never ceases to engage with the fundamentally weighty issue of existential transformation, a transformation that affects both his protagonists and his audiences. A central question emerges…
This is the first full-length study of the films of Francois Ozon, director of such diverse films as 8 femmes, Swimming Pool, 5x2 and Les amants criminels. Andrew Asibong's passionate and critical analysis focuses on the extent to which Ozon's seemingly light touch never ceases to engage with the fundamentally weighty issue of existential transformation, a transformation that affects of both his protagonists and his audiences. A central question emerges: what is at stake, cinematically, ethically and politically, in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary social relations. Revealing Ozon as a highly adept 'fan' of a whole range of thought, literature and cinema, Asibong places the precocious French auteur in an intellectual yet highly accessible critical framework, allowing Ozon's importance for a thoroughly postmodern filmgoing generation to be given the attention it deserves.
| ISBN | 0719074231 | | Pages | 168 | | ISBN13 | 9780719074233 (What's this?) | | Volumes | 1 | | Publisher | Manchester University Press | | Weight (grammes) | 272 | | Imprint | Manchester University Press | | Published in | Manchester | | Format | Hardback | | Series title | French Film Directors | | Publication date | 01 Sep 2008 | | Height (mm) | 198 | | Library of Congress | PN1998.3 | | Width (mm) | 129 | | DEWEY | 791.430233092 | | Spine width (mm) | 18 | | DEWEY edition | DC22 | | Academic level | Undergraduate |
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| | | List of Plates | | | | | | Family filmmaker: an introduction to Francois Ozon | | 1 | | 1 | | Desire unlimited: sexualities on the move? | | 10 | | 2 | | Master and servant: society, spectacle and sadomasochisticcinema | | 48 | | 3 | | Shadow of the spectre: cinema beyond relation? | | 81 | | 4 | | Blood, tears and song: genre and the shock of over-stimulation | | 112 | | | | A drop in the ocean: concluding remarks | | 140 | | | | Filmography | | 143 | | | | Select Bibliography | | 150 | | | | Index | | 153 |
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