The year is 1984. Aomame sits in a taxi on the expressway in Tokyo. Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world.
The year is 1984. Aomame sits in a taxi on the expressway in Tokyo. Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult. Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true? Aomame and Tengo's stories influence one another, at times by accident and at times intentionally, as the two come closer and closer to intertwining. As "1Q84" accelerates towards its conclusion, both are pursued by persons and forces they do not know and cannot understand. As they begin to decipher more about the strange world into which they have slipped, so they sense their destinies converging. What they cannot know is whether they will find one another before they are themselves found. "1Q84" is a magnificent and fully-imagined work of fiction - a thriller, a love-story and a mind-bending ode to George Orwell's "Nineteen Eighty-Four". It is a world from which the reader emerges stunned and altered.
A "Globe and Mail" Best Book "1Q84 goes further than any Murakami novel so far, and perhaps further than any novel before it, toward exposing the delicacy of the membranes that separate love from chance encounters, the kind from the wicked, and reality from what people living in the pent-up modern world dream about when they go to sleep under an alien moon." --"Publishers Weekly" (starred review) "Murakami's fiction has grown increasingly relevant to our understanding of the world today, and this time his craft is more refined than ever. . . . This novel--mired in death and fetish, leavened with humor--may become a mandatory read for anyone trying to get to grips with contemporary Japanese culture." --"The Japanese Times""'Things are not what they seem.' If Murakami's ambitious, sprawling and thoroughly stunning new novel had a tagline, that would be it. . . . Orwellian dystopia, sci-fi, the modern world (terrorism, drugs, apathy, pop novels)--all blend in this dreamlike, strange and wholly unforgettable epic." --"Kirkus Reviews" (starred review) "You'll find genuine wisdom and emotional depth in 1Q84. Mr. Murakami has gone further here to develop the sensations of loss and isolation." --"The Wall Street Journal""Murakami really does stand alone . . . Which other author can remind you simultaneously of Fyodor Dostoyevsky and JK Rowling, not merely within the same chapter but on the same page? Viewed through the 'postmodern' lens, his exemplary blend of a light touch and weighty themes, of high literature and popular entertainment, ticks every box. Posh and pop, sublimity and superficiality, history and fantasy, trash and transcendence: they switch positions and then fuse as the metaphysical speculations of an Ivan Karamazov meet the death-defying adventures of a Harry Potter." --"The Independent" (UK)
Praise for Haruki Murakami: "Murakami is like a magician who explain what he's doing as he