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Jeremy Tambling
ISBN: 9780415340069
Format: Paperback
Publisher:Taylor & Francis Ltd
Edition: New edition
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Offers students a concise history and critical commentary on 'allegory' from its prominence in Medieval and Renaissance literature since the Romantic era.
Indispensable to an understanding of Medieval and Renaissance texts and a topic of controversy for the Romantic poets, allegory remains a site for debate and controversy in the twenty-first-century. In this useful guide, Jeremy Tambling: presents a concise history of allegory, providing numerous examples from Medieval forms to the present day considers the relationship between allegory and symbolism analyses the use of allegory in modernist debate and deconstruction, looking at critics such as Walter Benjamin and Paul de Man provides a full glossary of technical terms and suggestions for further reading. Allegory offers an accessible, clear introduction to the history and use of this complex literary device. It is the ideal tool for all those seeking a greater understanding of texts that make use of allegory and of the significance of allegorical thinking to literature.
| ISBN | 0415340063 | | Weight (grammes) | 226 | | ISBN13 | 9780415340069 (What's this?) | | Published in | London | | Publisher | Taylor & Francis Ltd | | Series title | The New Critical Idiom | | Imprint | Routledge | | Height (mm) | 198 | | Format | Paperback | | Width (mm) | 129 | | Publication date | 19 Aug 2009 | | Spine width (mm) | 15 | | DEWEY | 809.915 | | Academic level | Tertiary education, Professional / Scholarly | | DEWEY edition | DC22 | | Alternative ISBN | 9780415340052 | | Pages | 200 | |
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| | | Introduction | | 1 | | | | Allegory and meaning | | 8 | | | | Allegory and abstraction | | 12 | | | | Literal and allegorical readings | | 14 | | 1 | | Classical and medieval allegory | | 19 | | | | Allegoresis | | 19 | | | | Beginning allegory | | 23 | | | | Dante: fourfold allegory | | 25 | | | | The veil of allegory | | 28 | | | | Allegory and 'Figura' | | 32 | | | | Piers Plowman and medieval interest in allegory | | 36 | | 2 | | Medieval and Renaissance personification | | 40 | | | | Bronzino's Allegory | | 40 | | | | Defining personification | | 42 | | | | Allegories, virtues and vices | | 47 | | | | Allegory and realism | | 50 | | | | Allegory and Chaucer | | 52 | | | | Spenser | | 55 | | 3 | | From allegory to symbolism | | 62 | | | | Emblems and allegory | | 62 | | | | Emblems and signs | | 64 | | | | Bunyan | | 69 | | | | Blake | | 73 | | | | Coleridge and German Romanticism | | 77 | | 4 | | Allegory in the age of realism | | 85 | | | | Hawthorne, Melville, Dickinson | | 87 | | | | Identity and monstrosity | | 92 | | | | Courbet's 'real allegory' | | 96 | | | | Urban Allegory: Dickens and Marx | | 100 | | | | Baudelaire | | 105 | | | More... | | |
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