ART HISTORY provides students with the most student-friendly, contextual, and inclusive art history survey text on the market. These hallmarks make ART HISTORYthe choice for instructors who seek to actively engage their students in the study of art. This new edition of ART HISTORY is the result of a happy and productive collaboration between two scholar-teachers (Marilyn Stokstad and Michael Cothren) who share a common vision that survey courses on the history of art should be filled with as much enjoyment as erudition, and that they should foster an enthusiastic, as well as an educated, public for the visual arts. Like its predecessors, this new edition seeks to balance formal and iconographic analysis with contextual art history in order to craft interpretations that will engage a diverse student population. Throughout the text, the visual arts are treated as part of a larger world, in which geography, politics, religion, economics, philosophy, social life, and the other fine arts are related components of a vibrant and cultural landscape. Art History Portable Edition offers exactly the same content as Art History, Fourth Edition but in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods.
| ISBN | 0205790968 | | Pages | 272 | | ISBN13 | 9780205790968
(What's this?) | | Weight (grammes) | 885 | | Publisher | Pearson Education (US) | | Published in | Upper Saddle River | | Imprint | Pearson Education (US) | | Previous ISBN | 9780136054092 | | Format | Paperback | | Height (mm) | 279 | | Publication date | 01 Jul 2010 | | Width (mm) | 229 | | DEWEY | 709.033 | | Spine width (mm) | 15 | | DEWEY edition | DC22 | | Academic level | Tertiary education |
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BRIEF CONTENTS CONTENTS vii Chapter 29 EIGHTEENTH- AND EARLY NINETEENTH CENTURY ART IN EUROPE AND NORTH AMERICA 903 Chapter 30 MID- TO LATE NINETEENTH-CENTURY ART IN EUROPE AND THE UNITED STATES 961 Chapter 31 MODERN ART IN EUROPE AND THE AMERICAS, 1900--1950 1017 Chapter 32 THE INTERNATIONAL SCENE SINCE 1950 1083 CONTEMPORARY WORLD MAP GLOSSARY BIBLIOGRAPHY CREDITS INDEX DETAILED CONTENTS CONTENTS vii CHAPTER 29 EIGHTEENTH AND EARLY NINETEENTH-CENTURY ART IN EUROPE AND NORTH AMERICA 903 INDUSTRIAL, INTELLECTUAL, AND POLITICAL REVOLUTIONS 904 THE ROCOCO STYLE 904 Rococo Salons 905 Rococo Painting and Sculpture 906 Rococo Church Decoration 910 ITALY: THE GRAND TOUR AND NEOCLASSICISM 911 Grand Tour Portraits and Views 911 Neoclassicism in Rome 913 NEOCLASSICISM AND EARLY ROMANTICISM IN BRITAIN 915 The Classical Revival in Architecture and Design 916 The Gothic Revival in Architecture and Design 919 Trends in British Painting 920 LATER EIGHTEENTH-CENTURY ART IN FRANCE 930 Architecture 930 Painting and Sculpture 932 ART IN SPAIN AND SPANISH AMERICA 938 Portraiture and Protest in Spain: Goya 938 The Art of the Americas under Spain 941 EARLY NINETEENTH-CENTURY ART: NEOCLASSICISM AND ROMANTICISM 943 Neoclassicism and Romanticism in France 944 Romantic Landscape Painting 953 Gothic and Neoclassical Styles in Architecture 956 BOXES ART AND ITS CONTEXTS Academies and Academy Exhibitions 924 THE OBJECT SPEAKS Raft of the "Medusa" 946 A CLOSER LOOK Georgian Silver 919 ELEMENTS OF ARCHITECTURE Iron as a Building Material 926 TECHNIQUE Lithography 952 CHAPTER 30 MID TO LATE NINETEENTH CENTURY ART IN EUROPE AND THE UNITED STATES 961 EUROPE AND THE UNITED STATES IN THE MID TO LATE NINETEENTH CENTURY 962 FRENCH ACADEMIC ARCHITECTURE AND ART 962 Academic Architecture 963 Academic Painting and Sculpture 964 EARLY PHOTOGRAPHY IN EUROPE AND THE UNITED STATES 967 THE BEGINNINGS OF THE AVANT GARDE: REALISM AND BEYOND 971 Realism and Revolution 971 The Painter of Modern Life: Manet 976 Responses to Realism Beyond France 979 IMPRESSIONISM 984 The Landscape 984 The Figure 987 Modern Life 989 LATE NINETEENTH-CENTURY ART AND THE BEGINNINGS OF MODERNISM 991 Post-Impressionism 992 Late Nineteenth-Century Art in Britain 997 Symbolism 1001 Late Nineteenth-Century French Sculpture 1003 Art Nouveau 1004 Cezanne and the Beginnings of Modernism 1007 THE ORIGINS OF MODERN ARCHITECTURE 1009 Technology and Structure 1009 The Chicago School of Architecture 1011 BOXES ART AND ITS CONTEXTS The Snake Charmer 966 The Mass Dissemination of Art 974 Art on Trial in 1877 999 THE OBJECT SPEAKS Modern Artists and World Cultures 994 A CLOSER LOOK Manet's A Bar at the Folies-Bergere 980 ELEMENTS OF ARCHITECTURE The City Park 1014 TECHNIQUE The Photographic Process 970 CHAPTER 31 MODERN ART IN EUROPE AND THE AMERICAS, 1900--1950 1017 EUROPE AND AMERICA IN THE EARLY TWENTIETH CENTURY 1018 EARLY MODERN ART IN EUROPE 1019 The Fauves: Wild Beasts of Color 1019 Picasso, Primitivism, and the Coming of Cubism 1021 The Bridge and Primitivism 1026 Independent Expressionists 1028 Spiritualism of the Blue Rider 1029 Extensions of Cubism 1031 Toward Abstraction in Sculpture 1035 Dada: Questioning Art Itself 1036 MODERNIST TENDENCIES IN AMERICA 1040 The Ashcan School 1040 Stieglitz and the "291" Gallery 1041 The Armory Show and Home-Grown Modernism 1042 EARLY MODERN ARCHITECTURE 1043 European Modernism 1045 American Modern Architecture 1046 ART BETWEEN THE WARS IN EUROPE 1048 Utilitarian Art Forms in Russia 1048 Rationalism in the Netherlands 1052 Bauhaus Art in Germany 1054 Surrealists Rearrange Our Minds 1056 Unit One in England 1060 MODERN ART IN THE AMERICAS BETWEEN THE WARS 1061 The Harlem Renaissance 1061 Rural America 1065 Canada 1067 Mexico 1068 Brazil 1070 Cuba 1071 POSTWAR ART IN EUROPE AND THE AMERICAS 1071 Figural Responses and Art Informel in Europe ABSTRACT EXPRESSIONISM 1073 T
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