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The reinvention of art history during the 1980s has provided a serious challenge to earlier formalist and connoisseurial approaches to the discipline, in ways which can only help economic and social historians in the drive to study past societies in terms of what they consumed, produced, perceived and imagined. This group of essays focuses on three main issues: the demand for art, including the range of art objects purchased by various social groups; the conditions of artistic creativity and communication between different production centres and artistic millieux; and the emergence of art markets which serve to link the first two phenomena. The work draws on research by art historians and economic and social historians from Europe and the United States, and covers the period from the late Middle Ages to the early 19th century.
| ISBN | 1840146303 | | DEWEY edition | DC21 | | ISBN13 | 9781840146301 (What's this?) | | Pages | 288 | | Publisher | Ashgate Publishing Group | | Volumes | 001 | | Imprint | Ashgate Publishing Limited | | Weight (grammes) | 726 | | Format | Hardback | | Published in | Aldershot | | Publication date | 23 Dec 1998 | | Height (mm) | 162 | | Non-book description | 162 X 240 | | Width (mm) | 240 | | Library of Congress | N8600.A737 | | Academic level | Undergraduate, Postgraduate, Professional / Scholarly | | DEWEY | 380.145709409024 | |
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| | | List of Illustrations | | | | | | List of Contributors | | | | | | Foreword | | | | | | Introduction: Art and its Markets by Michael North and David Ormrod | | 1 | | Ch. 1 | | Manuscript Acquisition by the Burgundian Court and the Market for Books in the Fifteenth-Century Netherlands by Wim Blockmans | | 7 | | Ch. 2 | | Some Aspects of the Origins of the Art Market in Fifteenth-Century Bruges by Maximiliaan P. J. Martens | | 19 | | Ch. 3 | | Is Art a Barometer of Wealth? Medieval Art Exports to the Far North of Europe by Jan von Bonsdorff | | 29 | | Ch. 4 | | Artistic Enterprise and Spanish Patronage: The Art Market during the Reign of Isabel of Castile (1474-1504) by Mari-Tere Alvarez | | 45 | | Ch. 5 | | The Italian Renaissance Courts' Demand for the Arts: The Case of d'Este of Ferrara (1471-1560) by Guido Guerzoni | | 61 | | Ch. 6 | | The Roman Art Market in the Sixteenth and Seventeenth Centuries by Volker Reinhardt | | 81 | | Ch. 7 | | The Upper German Trade in Art and Curiosities before the Thirty Years War by Renate Pieper | | 93 | | Ch. 8 | | Pricing the Unpriced: How Dutch Seventeenth-Century Painters determined the Selling Price of their Work by Marten Jan Bok | | 103 | | Ch. 9 | | Dealer-Dealer Pricing in the Mid Seventeenth-Century Antwerp to Paris Art Trade by Neil De Marcht and Hans J. Van Miegroet and Matthew E. Raiff | | 113 | | Ch. 10 | | Probate Inventories, Public Sales and the Parisian Art Market in the Seventeenth Century by Antoine Schnapper | | 131 | | Ch. 11 | | Art Auctions in Germany during the Eighteenth Century by Thomas Ketelsen | | 143 | | Ch. 12 | | Arenas of Connoisseurship: Auctioning Art in Later Stuart England by Brian Cowan | | 153 | | Ch. 13 | | The Origins of the London Art Market, 1660-1730 by David Ormrod | | 167 | | Ch. 14 | | Commerce and the Commodity: Graphic Display and Selling New Consumer Goods in Eighteenth-Century England by Maxine Berg and Helen Clifford | | 187 | | | More... | | |
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