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Essays from a Musical Ground
Michael Alec Rose
ISBN: 9781441180506
Format: Paperback
Publisher:Continuum Publishing Corporation
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Whether it's a song by Brahms or by the Boss, a serenade by Mozart or a ballet by John Harbison, music radiates a diverse spectrum of meaningful signs, hidden in plain hearing. This study looks at how the great composers in classical and rock music deploy subtle musical signs in ingenious ways.
This is a vivid, expressive, and innovative study of how the great composers in classical and rock music deploy subtle musical signs in ingenious ways. Whether it's a song by Brahms or by the Boss, a serenade by Mozart or a ballet by John Harbison, music radiates a diverse spectrum of meaningful signs, hidden in plain hearing. To enjoy the interplay of musical signs, it helps to recognize them in the first place. The various iconographic strategies of Audible Signs - including commentary on graphic works, books, poems, and film - yield new appreciations and critiques of composers of vastly divergent styles and technical materials. Author and composer Michael Alec Rose helps readers decode the signs composers give us in their music - sounds that invoke very particular ideas, images, and cultural contexts - and reveals the extraordinary ingenuity with which certain pieces deploy recognizable figures in a musical landscape. None of this can be done systematically. Each artwork reinvents 'the code' and demands a unique set of approaches. But the chapters in this invigorating book spring from the same musical ground, where the only thing that matters is to pay attention to the wonders of great music.
| ISBN | 1441180508 | | Pages | 192 | | ISBN13 | 9781441180506 (What's this?) | | Weight (grammes) | 263 | | Publisher | Continuum Publishing Corporation | | Published in | New York | | Imprint | Continuum Publishing Corporation | | Height (mm) | 216 | | Format | Paperback | | Width (mm) | 138 | | Publication date | 28 Oct 2010 | | Spine width (mm) | 13 | | DEWEY | 780.1 | | Academic level | Postgraduate | | DEWEY edition | DC22 | |
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| | | Preface and Hypothesis | | | | | | Acknowledgments | | | | | | A Note on Recordings | | | | 1 | | An Intimate Iconography of Music | | 1 | | 2 | | The Redress of Music | | 19 | | 3 | | Earning Your Song | | 37 | | 4 | | The Rest of The Rest Is Noise | | 87 | | 5 | | Daimones | | 131 | | 6 | | Letting Go | | 139 | | 7 | | A Letter to My Daughter | | 157 | | | | Afterword | | 167 | | | | Suggestions for Further Listening, Viewing, and Reading | | 173 |
"Brilliant, spiritual, funny - at times exasperating - this wonderful book is an irreverent and intimate conversational tour of the physical and spiritual reality of music. Ear-opening, mind-cracking, this is a paean to difficult love, and will remind you of every piece of music that you've really listened to." - Margaret Doody, John and Barbara Glynn Family Professor of Literature at the University of Notre Dame, and author of Aristotle Detective and other novels."  Be the first to write a customer review
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