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An Anthology 1968-2000
Robinson, Hilary
Hilary Robinson
ISBN: 9780631208495
Format: Hardback
Publisher:John Wiley and Sons Ltd
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Charting over 30 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthology gathers together 99 indicative texts from North America, Europe and Australasia. It embraces a broad range of threads and perspectives.
Charting over 30 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthology gathers together 99 indicative texts from North America, Europe and Australasia. The volume embraces a broad range of threads and perspectives, from diverse ethnic approaches, lesbian theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provocative web of ideas. Some of the texts are now regarded as classic, but the anthology is particularly notable for its inclusion of rare and significant material not reprinted elsewhere. The scale and structure of the volume make it a uniquely flexible resource for study and research. Each of the nine sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. Lists of essential reading are provided for students or lay readers seeking an introduction, whilst more extensive bibliographies at the end of each chapter and at the end of the volume support further research.
| ISBN | 0631208496 | | Pages | 728 | | ISBN13 | 9780631208495 (What's this?) | | Volumes | 001 | | Publisher | John Wiley and Sons Ltd | | Weight (grammes) | 1590 | | Imprint | Blackwell Publishers | | Published in | Oxford | | Format | Hardback | | Height (mm) | 261 | | Publication date | 21 Sep 2001 | | Width (mm) | 189 | | Library of Congress | N72.F45 F4 | | Spine width (mm) | 47 | | DEWEY | 701 | | Academic level | Undergraduate, Professional / Scholarly, Postgraduate | | DEWEY edition | DC21 | |
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| | | Preface | | | | | | Acknowledgements | | | | | | Introduction: Feminism-Art-Theory - Towards a (Political) Historiography | | 1 | | 1 | | Gender in/of Culture | | | | | | 'Scum Manifesto' (1968) by Valerie Solanas | | 12 | | | | '(Male) Culture' (1970) by Shulamith Firestone | | 13 | | | | 'Is Female to Male as Nature is to Culture?' (1972) by Sherry B. Ortner | | 17 | | | | 'From Tape no. 2 for "Kitch's Last Meal"' (1973) by Carolee Schneemann | | 33 | | | | 'Waiting' (1977) by Faith Wilding | | 34 | | | | 'The Straight Mind' (1980) by Monique Wittig | | 37 | | | | 'In the Shadow of Contemporary Art' (1986) by Isabelle Bernier | | 41 | | | | 'Writing as a Woman' (1987) by Luce Irigaray | | 44 | | | | 'Art' (1992) by Andrea Blum | | 47 | | 2 | | Activism and Institutions | | | | | | 'To the Viewing Public for the 1970 Whitney Annual Exhibition' (1970) | | 56 | | | | 'The Triple Negation of Colored Women Artists' (1990) by Adrian Piper | | 57 | | | | 'Art Conferences: Passification or Politics?' (1991) by Val Walsh | | 68 | | | | 'Bodies of Theory, Bodies of Pain: Some Silences' (1993) by Jody Berland | | 75 | | | | 'Untitled Statement' (1972) by Betsy Damon | | 85 | | | | 'Consciousness-raising Rules' (1972) | | 85 | | | | 'A Brief History of the Women's Workshop of the Artist's Union, 1972-1973' (c.1973) | | 87 | | | | 'Minutes: Heresies Collective' (1976) | | 88 | | | | 'Lesbian Art Project' (1979) by Terry Wolverton | | 89 | | | | 'Well, is the Personal Political?' (1980) by Martha Rosler | | 95 | | | | 'A Theoretical and Political Context' (1985) by Anne Marsh | | 96 | | | More... | | |
"Robinson's anthology of feminist writing on, in and around art from the last 30 years does fill a very tangible gap and will be of immense use to anybody who spends their time looking at and thinking about art." Art Monthly  Be the first to write a customer review
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