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The Work of Jean-Luc Godard 1950 to the Present
Nora M. Alter, Janet Bergstrom, Catherine Grant, Leslie Hill, Roland-Francois Lack, Adrian Martin, Jacques Ranciere, Keith Reader
James Williams
ISBN: 9781901033694
Format: Hardback
Publisher:Black Dog Publishing London UK
Edition: illustrated edition
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With 22 illustrated chapters, as well as a photo essay and a visual filmography, For Ever Godard aims to do critical justice to the full sweep of Godard's artistic interests and preoccupations. The volume presents material by scholars and practitioners from film and media studies, art history, musicology, philosophy and aesthetics, museum studies, French studies, European history, cultural studies, and feminism and gender studies.
With 22 illustrated chapters, as well as a photo essay and a visual filmography, For Ever Godard aims to do critical justice to the full sweep of Godard's artistic interests and preoccupations. The volume presents material by scholars and practitioners from film and media studies, art history, musicology, philosophy and aesthetics, museum studies, French studies, European history, cultural studies, and feminism and gender studies.
| ISBN | 1901033694 | | Pages | 384 | | ISBN13 | 9781901033694
(What's this?) | | Volumes | 1 | | Publisher | Black Dog Publishing London UK | | Weight (grammes) | 1960 | | Imprint | Black Dog Publishing Ltd | | Published in | London | | Format | Hardback | | Height (mm) | 250 | | Publication date | 01 Nov 2003 | | Width (mm) | 190 | | Library of Congress | PN1998.3.G | | Spine width (mm) | 36 | | DEWEY | 791.430233092 | | Academic level | General, Undergraduate, Postgraduate, Professional / Scholarly | | DEWEY edition | DC21 | |
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| | | For ever divided by Raymond Bellour | | 11 | | | | Illustrated filmography | | 18 | | | | The Godard paradox by Serge Daney | | 68 | | | | Godard and asynchrony by Keith Reader | | 72 | | | | The commerce of cinema by Colin MacCabe | | 94 | | | | Home movies : the curious cinematic collaboration of Anne-Marie Mieville and Jean-Luc Godard by Catherine Grant | | 100 | | | | Godard in the museum by Antione de Baecque | | 118 | | | | Here and elsewhere : projecting Godard by James Quandt | | 126 | | | | A cinema of memory in the future tense : Godard, trailers, and Godard trailers by Vinzenz Hediger | | 144 | | | | The forms of the question by Nicole Brenez | | 160 | | | | Procession and projection : notes on a figure in the work of Jean-Luc Godard by Christa Blumlinger | | 178 | | | | "Gravity and grace" : on the "sacred" and cinematic vision in the films of Jean-Luc Godard by Vicki Callahan | | 188 | | | | Altered motion and corporal resistance in France/Tour/Detour/Deux/Enfants by Michael Witt | | 200 | | | | Godard, Hitchcock, and the cinematographic image by Jacques Ranciere | | 214 | | | | The written screen : JLG and writing as the accursed share by Philippe Dubois | | 232 | | | | Recital : three lyrical interludes in Godard by Adrian Martin | | 252 | | | | JLG/ECM by Laurent Jullier | | 272 | | | | Music, love, and the cinematic event by James S. Williams | | 288 | | | | "Sa Voix" by Roland-Francois Lack | | 312 | | | | Godard's two historiographies by Junji Hori | | 334 | | | | The (im)possible history by Monica Dall'Asta | | 350 | | | | Anamnesis and bearing witness : Godard/Lanzmann by Libby Saxon | | 364 | | | | The index and erasure : Godard's approach to film history by Trond Lundemo | | 380 | | | More... | | |
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