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How Forgery Changed the Course of Literature
Nick Groom
ISBN: 9780330374330
Format: Paperback
Publisher:Pan Macmillan
Edition: New edition
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Whilst defining the very meaning of forgery, Nick Groom ranges from the economic forgery of the 18th century to the formation of literary copyright which was established not in order to protect the nation's authors but rather as a way of censoring them.
Whilst defining the very meaning of forgery, Nick Groom ranges from the economic forgery of the 18th century, where the forgery of a #100 banknote could mean death by hanging, to the formation of literary copyright which was established not in order to protect the nation's authors but rather as a way of censoring them. At the centre of Groom's book are the figures of literary forgery that have haunted both our literature and our imaginations for years. There is Chatterton, the fatal model for the Romantic perceived as a mad, unrecognized and suicidal genius but one whose supposedly tragic life was as much a myth as the 15th-century monk he invented. Or there is Macpherson, constantly at war with Samuel Johnson, who edited (or wrote, or indeed forged) the lost epics of a 3rd-century Celtic bard. And there is the forger William Henry Ireland who not only wrote two new and disastrous Shakespeare plays but also forged a legal document to make sure he benefited from the royalties. Finally, there is the famous Wainewright who was a supreme forger in practically every sphere, whose effect on literature from Dickens to Wilde to the 21st century cannot be underestimated.
| ISBN | 0330374338 | | DEWEY edition | DC21 | | ISBN13 | 9780330374330 (What's this?) | | Pages | 368 | | Publisher | Pan Macmillan | | Weight (grammes) | 238 | | Imprint | Picador | | Published in | London | | Format | Paperback | | Height (mm) | 197 | | Publication date | 04 Jul 2003 | | Width (mm) | 130 | | Library of Congress | PR99 | | Academic level | General | | DEWEY | 820.9 | |
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