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Games for Actors and Non-Actors is the classic and best selling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary Method, showing how theatre can be used to transform and liberate everyone - actors and non-actors alike! This thoroughly updated and substantially revised second edition includes: * Two new essays by Boal on major recent projects in Brazil * Boal's description of his work with the Royal Shakespeare Company * A revised introduction and translator's preface * A collection of photographs taken during Boal's workshops, commissioned for this edition * New reflections on Forum Theatre
| ISBN | 0415267080 | | Pages | 336 | | ISBN13 | 9780415267083 (What's this?) | | Volumes | 1 | | Publisher | Taylor & Francis Ltd | | Weight (grammes) | 861 | | Imprint | Routledge | | Published in | London | | Format | Paperback | | Previous ISBN | 9780415061551 | | Publication date | 22 Aug 2002 | | Height (mm) | 246 | | Translator | Adrian Jackson | | Width (mm) | 174 | | Library of Congress | PN2061.B49 | | Spine width (mm) | 19 | | DEWEY | 792.028 | | Academic level | Tertiary education, General | | DEWEY edition | DC21 | |
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| | | List of figures | | | | | | Translator's introduction to the first edition | | | | | | Preface to the second edition: The Royal Shakespeare Company, theatre in prisons and landless peasants | | 1 | | | | Preface to the first edition: the fable of Xua-Xua, the prehuman woman who discovered theatre | | 11 | | | | Theatre of the Oppressed in Europe | | 18 | | | | The Godrano experience: my first Forum Theatre in Europe or the ultimate spect-actor/protagonist! | | 19 | | | | The Structure of the Actor's Work | | 29 | | | | The primacy of emotion | | 29 | | | | Rationalising emotion | | 35 | | | | A la recherche du temps perdu | | 37 | | | | The dialectical structure of the actor's interpretation of a role | | 40 | | | | The Arsenal of Theatre of the Oppressed | | 48 | | | | Introduction: a new system of exercises and games from Theatre of the Oppressed | | 48 | | | | Feeling What We Touch (Restructuring Muscular Relations) | | 50 | | | | Listening to What We Hear | | 92 | | | | Dynamising Several Senses | | 114 | | | | Seeing What We Look At | | 129 | | | | The Memory of the Senses | | 171 | | | | Image Theatre | | 174 | | | | Rehearsal Exercises for any Kind of Play | | 217 | | | | The Early Forms of Forum Theatre | | 241 | | | | The rules of the game | | 242 | | | | Dramaturgy | | 242 | | | | Staging | | 243 | | | | The performance game | | 243 | | | | Examples of Forum Theatre | | 245 | | | | Forum Theatre: Doubts and Certainties: Incorporating a New Method of Rehearsing and Devising a Forum Theatre Model | | 253 | | | More... | | |
"'This is an inspiring and powerful book, a lucid account that will be of substantial use to people already using "Theatre of the Oppressed." It should also act as an excellent introduction for those new to the system.' - "Artscene.""This is a useful handbook for those who want to explore Boal's 'Theatre of the Oppressed' and as such is greatly to be welcomed. Boals' work deserves and demands emulation.' - "Theatre Research International.""'You have achieved what Brecht only dreamt of and wrote about: making a useful theatre that is entertaining, fun, and instructive. It is a different kind of theatre - a kind of social therapy.it focuses the mind, relaxes the spirit, and gives people a new handle on their situations.' - "Richard Schechner.""'Boal's analysis of the art of the actor makes [Games.] compulsory reading' -"Plays and PlayersI."  Be the first to write a customer review
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