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Music, Mystery and Memory - Conversations with Claude Glayman
Roger Nichols
ISBN: 9780754608998
Format: Hardback
Publisher:Ashgate Publishing Group
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In 1996 the French journalist Claude Glayman conducted a series of interviews with Henri Dutilleux which were published in France in 1997. The translator is the UK's accepted leading translator of French musical writing, Roger Nichols.
Born in 1916, Henri Dutilleux is one of France's leading composers, enjoying an international reputation for his beautifully crafted works. This is the first translation into English of a series of interviews between Dutilleux and the French writer and journalist Claude Glayman which took place in 1996. Dutilleux discusses aspects of his life including his early training at the Paris Conservatoire, the German occupation of France and the time that he spent in the United States. The interviews reveal much about his music and his approach to composition, as well as the influences on his musical style. Originally published in 1997, this English edition is the work of translator Roger Nichols, one of the UK's accepted leading specialists on French music.
| ISBN | 0754608999 | | DEWEY | 780.92 | | ISBN13 | 9780754608998 (What's this?) | | DEWEY edition | DC21 | | Publisher | Ashgate Publishing Group | | Pages | 256 | | Imprint | Ashgate Publishing Limited | | Volumes | 001 | | Format | Hardback | | Weight (grammes) | 386 | | Publication date | 03 Jun 2003 | | Published in | Aldershot | | Non-book description | vi, 158 p. ; | | Height (mm) | 160 | | Translator | Nichols, Roger | | Width (mm) | 227 | | Library of Congress | ML410.D965 | | Academic level | Undergraduate, Postgraduate, Professional / Scholarly, General |
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| | | The portrait of Chopin | | 3 | | | | An anxious child | | 8 | | | | Of bells and belfries | | 10 | | | | Paris. The Conservatoire - 'Artists' Entrance' | | 11 | | | | 'In the style of ...' | | 14 | | | | Interlude at the Villa Medici | | 17 | | | | From the Occupation to the Liberation - in search of an aesthetic | | 19 | | | | Genevieve Joy | | 23 | | | | Pelleas in September 1940 | | 25 | | | | With Gremillon, Fano and Pialat | | 27 | | | | Opus 1 | | 28 | | | | The ORTF - the First Symphony | | 33 | | | | Serialism: historical necessity or terrorism? | | 37 | | | | Desormiere, Munch, Ansermet | | 40 | | | | Les Ballets de Paris - Le Loup | | 42 | | | | On Jean Cassou | | 45 | | | | 'Le Double', via Munch | | 49 | | | | Memory, not leitmotif | | 52 | | | | Malraux's support for music | | 54 | | | | Metaboles for George Szell | | 57 | | | | May 1968 | | 61 | | | | Tout un monde lointain | | 62 | | | | On the name 'Sacher' | | 67 | | | | Aren't the notes enough? | | 70 | | | | Nocturnes - Timbres, Espace, Mouvement | | 72 | | | | Ainsi la nuit - the economy of the string quartet | | 74 | | | | Mystere de l'instant | | 78 | | | | Festivals | | 82 | | | | L'arbre des songes | | 84 | | | | Le Jeu des contraires and subsequent works | | 86 | | | More... | | |
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