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Lessons in Cunning from an Afro-Brazilian Art
Greg Downey
ISBN: 9780195176971
Format: Paperback
Publisher:Oxford University Press Inc
Edition: illustrated edition
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Capoeira is the most elaborate martial art of the African Diaspora, a spectacular combination of dance, acrobatic kicks, and evasive manoeuovers. This book is an ethnographic study based on participant observation and more than ten years of apprenticeship in the acrobatic martial art.
Capoeira is the most elaborate martial art of the African Diaspora, a spectacular combination of dance, acrobatic kicks, and evasive manoeuvres. Typically played as a game in which two players vie to control space, demonstrate superior mobility, and trip, kick, or head-butt each other to the ground at a moment of vulnerability, capoiera resembles a combination of acrobatic dance, slow martial arts sparring, and improvised musical performance. "Learning Capoeira" is an ethnographic study based on participant observation and more than ten years of apprenticeship in the acrobatic martial art. Rather than treating capoeira on a sociological or cultural level, this book takes an experience-centered approach towards exploring the effects of the art on a player's perceptions and social interactions outside the roda, the "ring" in which the game is played. The text is innovative by example, demonstrating how an experience-centered analysis and ethnographic apprenticeship might produce rich, compelling understanding of a distinctive cultural world.
| ISBN | 0195176979 | | Pages | 286 | | ISBN13 | 9780195176971 (What's this?) | | Volumes | 1 | | Publisher | Oxford University Press Inc | | Weight (grammes) | 325 | | Imprint | Oxford University Press Inc | | Published in | New York | | Format | Paperback | | Height (mm) | 210 | | Publication date | 14 Apr 2005 | | Width (mm) | 140 | | Library of Congress | GV1796.C14 | | Spine width (mm) | 14 | | DEWEY | 793.31981 | | Academic level | Professional / Scholarly | | DEWEY edition | DC22 | |
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| | | Prelude : playing Capoeira | | 1 | | 1 | | Inside and outside the Roda | | 7 | | 2 | | The significance of skills | | 22 | | 3 | | Following in a mestre's footsteps | | 38 | | 4 | | History in epic registers | | 55 | | 5 | | Singing the past into play | | 74 | | 6 | | Hearing the Berimbau | | 87 | | 7 | | Play with a sinister past | | 102 | | 8 | | The rogue's swagger | | 118 | | 9 | | Closing the body | | 136 | | 10 | | Walking in evil | | 153 | | 11 | | The limits of whitening | | 169 | | 12 | | Tearing out the shame | | 186 | | | | Conclusions : lessons from the Roda | | 203 |
"This book is about the changes students undergo as they learn the art. The results are striking. Using phenomoenolgical analysis, exploring physiological memory, and the tried and true personal anecdotes, Downey offers testimony that academia's shift to the personal has benefits."--Joshua M. Rosenthal. Latin American Research Review  Be the first to write a customer review
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