Liver

A moving, hilarious and scabrous portrayal of egos, appetites and addictions, "Liver" is an extraordinary examination of lives out of control and beyond saving by the pre-eminent chronicler of our neuroses and our times.

'Peculiar, subtle, affecting and humane... It is a vertiginous, swooping vision that can lay London out like a body... It is all tremendous fun, and sometimes much more than that. Self has always had a blunt brilliance... These stories are busy with stylistic experiment, high-concept in-jokes, verbal impasto and flights of fancy which test the limits of narrative' - Justine Jordan, Guardian 'These tales are highly chthonic' - Nicholas Blincoe, Daily Telegraph 'This is what Self does best: snap-shots of decline and high-concept satires of the 'slapstick of addiction" - Ed King, Daily Telegraph 'Will Self is rightly admired for the sheer energy of his writing, his pyrotechnic wit and wordplay, and his willingness to experiment with genre and narrative... He is undoubtedly one of contemporary literature's showmen' - Peter Parker, Sunday Times 'All of Self's hallmarks are in place here: a prose style that scuds from the slangy to the hypertrophic and back; a keen sense of place; a sharp satirist's eye coldly cast on fashionable London; and a fondness for what might be called the High Concept' - Keith Miller, Times Literary Supplement '...satire so vicious it makes Charlie Brooker look restrained' - John O'Connell, Time Out '...no one can revel in the disease and decay of humanity like Will Self' - Ben East, Metro "Leberknodel" is the best fictional writing on Zurich since Kim Stanley Robinson's story named after the city' - Nicholas Royle, Independent 'As the literary equivalent of Francis Bacon, Will Self continually challenges readers with biological overload... Stepping into Self's world is like opening one of the Wellcome Institute's cabinets of medical curiosities... What counts most throughout is Self's enthralling, muscular and sometimes even joyous use of language. His writing propels one of the greatest arguments for freedom of speech that I can think of; you may not like his subject matter but his obsidian brilliance is incontrovertible, shocking and humane' - Christopher Fowler, Independent

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