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Lyrical Ballads by William Wordsworth and Samuel Taylor Coleridge is a unique work of literature. first published in 1798, it marked a radical change in the direction of English Literature. Lyrical Ballads represented a movement away from the overwrought, highly formal and learned verse of the 18th century and in so doing ushered in a new, more democratic poetic era. Written in the language of the common man and addressing the concerns of the common man, Lyrical Ballads was the first - and remains the most - truly revolutionary collection of poetry, paving the way for the great Romantic poets - keats, Byron, Shelley et al. - and proving that, while there was no actual revolution on the ground, England could still be the most revolutionary of places. Lyrical Ballads was not a single phenomenon but a sequence of four editions spread over seven years; its appearance in English literature was not a historical moment but a sequence of moments - 1798, 1800, 1802, 1805.' this edition - based on the 1805 edition, but looking back on each of the previous publications - shows how this collection developed, how it was refined and added to by the authors. No other edition on the market has such a wealth of key background information.
| ISBN | 1405840609 | | Volumes | 1 | | ISBN13 | 9781405840606 (What's this?) | | Weight (grammes) | 558 | | Publisher | Pearson Education Limited | | Published in | Harlow | | Imprint | Longman | | Series title | Longman Annotated Texts | | Format | Paperback | | Previous ISBN | 9780582033030 | | Publication date | 08 Jan 2007 | | Height (mm) | 216 | | Library of Congress | 2006051510 | | Width (mm) | 138 | | DEWEY | 821.7 | | Spine width (mm) | 25 | | DEWEY edition | DC22 | | Academic level | Professional / Scholarly | | Pages | 448 | |
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| | | Lyrical ballads 1798 to 1805 | | 1 | | | | The Wordsworth-Coleridge collaboration | | 4 | | | | Lyrical ballads generically considered | | 9 | | | | An infinite complexity of pain and pleasure | | 18 | | | | Coleridge's lines on 'The nightingale' | | 33 | | | | Advertisement | | 34 | | | | Argument to 'The ancient mariner' (1798) | | 36 | | | | Coleridge's letter on 'Love' | | 36 | | | | Wordsworth's note to 'The thorn' | | 37 | | | | Wordsworth's note to 'The ancient mariner' | | 39 | | | | Argument to 'The ancient mariner' (1800) | | 40 | | | | Wordsworth to Charles James Fox | | 41 | | | | Coleridge to William Wilberforce | | 45 | | | | Coleridge to Sir James Bland Burges | | 47 | | | | From Wordsworth's letter to Thomas Poole | | 48 | | | | Wordsworth to John Wilson | | 49 | | | | Expostulation and reply | | 97 | | | | The tables turned | | 99 | | | | Animal tranquillity and decay | | 101 | | | | Goody Blake and Harry Gill | | 103 | | | | The last of the flock | | 108 | | | | Lines (left upon a scat in a yew-tree) | | 112 | | | | The foster-mother's tale | | 115 | | | | The thorn | | 118 | | | | We are seven | | 128 | | | | Anecdote for fathers | | 132 | | | | Lines (written at a small distance from my house) | | 135 | | | | The female vagrant | | 137 | | | | Lines written in early spring | | 145 | | | | Simon Lee | | 147 | | | More... | | |
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