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Irish Literature since 1990: "Diverse Voices" is a distinctive book that examines the diversity and energy of writing in a period marked by the unparalleled global prominence of Irish culture. This collection provides a wide-ranging survey of fiction, poetry and drama over the last two decades, considering both well-established figures and also emerging writers who have received relatively little critical attention before.Contributors explore the central developments within Irish culture and society that have transformed the writing and reading of identity, sexuality, history and gender. The book examines the impact of Mary Robinson's Presidency; growing cultural confidence 'back home'; legislative reform on sexual and moral issues; the uneven effects generated by the resurgence of the Irish economy (the 'Celtic Tiger' myth); Ireland's increasingly prominent role in Europe; and changing reputation. In its breadth and critical currency, this book will be of particular to academics and students working in the fields of literature, drama and cultural studies.
| ISBN | 0719075637 | | Pages | 320 | | ISBN13 | 9780719075636 (What's this?) | | Volumes | 1 | | Publisher | Manchester University Press | | Published in | Manchester | | Imprint | Manchester University Press | | Height (mm) | 234 | | Format | Hardback | | Width (mm) | 156 | | Publication date | 01 May 2009 | | Spine width (mm) | 33 | | DEWEY | 820.99415 | | Academic level | Undergraduate, Postgraduate | | DEWEY edition | DC22 | |
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| Pt. I | | Contexts | | | | 1 | | 'Changing history: the Republic and Northern Ireland since 1990' by Michael Parker | | 3 | | 2 | | 'Flying high? Culture, criticism, theory since 1990' by Scott Brewster | | 16 | | Pt. II | | Drama | | | | 3 | | 'Home places: Irish drama since 1990' by Clare Wallace and Ondrej Pilny | | 43 | | 4 | | Women on stage in the 1990s: foregrounding the body and performance in plays by Gina Moxley, Emma Donoghue and Marina Carr by Maria Kurdi | | 59 | | 5 | | The stuff of tragedy? Representations of Irish political leaders in the 'Haughey' plays of Carr, Barry and Breen by Anthony Roche | | 79 | | 6 | | New articulations of Irishness and otherness on the contemporary Irish stage by Martine Pelletier | | 98 | | Pt. III | | Poetry | | | | 7 | | Scattered and diverse: Irish poetry since 1990 by Jerzy Jarniewicz and John McDonagh | | 121 | | 8 | | Architectural metaphors: representations of the house in the poetry of Eilean Ni Chuilleanain and Vona Groarke by Lucy Collins | | 142 | | 9 | | 'The places I go back to': familiarisation and estrangement in Seamus Heaney's later poetry by Joanna Cowper | | 160 | | 10 | | 'Neither here nor there': new generation Northern Irish poets (Sinead Morrissey and Nick Laird) by Michael Parker | | 177 | | Pt. IV | | Fiction and autobiography | | | | 11 | | 'Tomorrow we will change our names, invent ourselves again': Irish fiction and autobiography since 1990 by Liam Harte | | 201 | | 12 | | Anne Enright and postnationalism in the contemporary Irish novel by Heidi Hansson | | 216 | | 13 | | 'Sacred spaces': writing home in recent Irish memoirs and autobiographies (John McGahern's Memoir, Hugo Hamilton's The Speckled People, Seamus Deane's Reading in the Dark and John Walsh's The Falling Angels) by Stephen Regan | | 232 | | 14 | | Secret gardens: unearthing the truth in Patrick O'Keeffe's The Hill Road by Vivian Valvano Lynch | | 250 | | | More... | | |
"Brewster and Parker have assembled 17 thoughtful essays that present readers with diverse perspectives on contemporary Irish literature... Though clearly geared toward those immersed in the field of Irish literary studies, this volume would be an excellent complementary resource for an introductory Irish literature class." --"CHOICE"  Be the first to write a customer review
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