|
|
Andrew Clements
ISBN: 9780571197026
Format: Paperback
Publisher:Faber and Faber
Rating:     Write a review
The third in a series of handbooks on composers of today, aiming to introduce their work to a wide audience and to describe their creative development. Each volume includes a substantial interview with the composer and a comprehensive work list. Mark…
The third in a series of handbooks on composers of today, aiming to introduce their work to a wide audience and to describe their creative development. Each volume includes a substantial interview with the composer and a comprehensive work list. Mark-Anthony Turnage proclaimed his individuality with his first published work, Night Dances. His unlikely synthesis of a range of twentieth-century models with the inflections and colours of jazz and soul music have consistently given his works an instantly recognisable voice, while their formal assurance, harmonic imagination and instinctive lyricism have cemented his place in the front rank of composers of his generation. It is Turnage's sequence of orchestral scores, beginning with Three Screaming Popes, inspired by the paintings of Francis Bacon, and also including Drowned Out, Your Rockaby, the evening-long Blood on the Floor with its solo roles for three jazz musicians, and most recently Silent Cities, that provide the thread of continuity through his development. But his operas - from Greek, a reworking of the Oedipus myth, right up to The Silver Tassie, first performed in February 2000 - show how the dramatic purposefulness and expressive range of his musical language transfer so potently to a much broader canvas.
| ISBN | 0571197027 | | DEWEY edition | DC21 | | ISBN13 | 9780571197026 (What's this?) | | Pages | 96 | | Publisher | Faber and Faber | | Weight (grammes) | 136 | | Imprint | Faber and Faber | | Published in | London | | Format | Paperback | | Height (mm) | 215 | | Publication date | 21 Feb 2000 | | Width (mm) | 135 | | DEWEY | 780.92 | | Academic level | General |
|
| |
|
|
|
|
|