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Medicine, Psychology and the Cultural Arts in Europe and America, 1880-1940
Mark S. Micale
ISBN: 9780804747974
Format: Paperback
Publisher:Stanford University Press
Edition: illustrated edition
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This collection of original and in-depth essays explores the inticate interplay of the aesthetic and psychological domains during the late 19th and early 20th centuries and considers the reasons why a common Modernist project took shape when and in the circumstances it did.
This vanguard collection of original and indepth essays explores the intricate interplay of the aesthetic and psychological domains during the late nineteenth and early twentieth centuries and considers the reasons why a common Modernist project took shape when and in the circumstances that it did. These changes occurred precisely when the distinctively modern disciplines of psychology, psychiatry, and psychoanalysis established their "scientific" foundations and achieved the forms in which we largely know them today. This volume examines the dense web of connections joining the aesthetic and psychological realms in the modern era, charting historically the emergence of the ongoing modern discussion surrounding such issues as identity-formation, sexuality, and the unconscious. The contributors form a distinguished and diversified group of scholars, who write about a wide range of cultural fields, including philosophy, the novel and poetry, drama, dance, film, and photography, as well as medicine, psychology, and the occult sciences. Cultural Sitings
| ISBN | 0804747970 | | Pages | 480 | | ISBN13 | 9780804747974 (What's this?) | | Volumes | 1 | | Publisher | Stanford University Press | | Weight (grammes) | 617 | | Imprint | Stanford University Press | | Published in | Palo Alto | | Format | Paperback | | Series title | Cultural Sitings | | Publication date | 31 Jan 2004 | | Height (mm) | 232 | | Library of Congress | PN56.P93 | | Width (mm) | 163 | | DEWEY | 809.9112 | | Spine width (mm) | 26 | | DEWEY edition | DC22 | | Academic level | Undergraduate, Postgraduate, Professional / Scholarly |
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| | | Contributors | | | | | | Introduction: The Modernist Mind - A Map by Mark S. Micale | | 1 | | | | The Modernist Mind: A Timeline | | 21 | | Pt. I | | Cultures of Hysteria | | | | 1 | | Discourses of Hysteria in Fin-de-Siecle France by Mark. S. Micale | | 71 | | 2 | | From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema by Rae Beth Gordon | | 93 | | 3 | | Automatisme Ambulatoire: Fugue, Hysteria, and Gender at the Turn of the Century by Ian Hacking | | 125 | | Pt. II | | Technologies of the Psyche | | | | 4 | | In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film by Tom Gunning | | 141 | | 5 | | Freud the Modernist by John Brenkman | | 172 | | 6 | | Shock Effects: Marinetti, Pathology, and Italian Avant-Garde Poetics by Lawrence Rainey | | 197 | | Pt. III | | Medicine, Literature, and Modernism | | | | 7 | | Playing with Signatures: The Young Charles Richet by Jacqueline Carroy | | 217 | | 8 | | Writing Psychology Over: Gertrude Stein and William James by Steven Meyer | | 250 | | Pt. IV | | Transformations of the Self | | | | 9 | | Between Science and Art: Freud versus Schnitzler, Kafka, and Musil by David Joravsky | | 277 | | 10 | | Refashioning the Masculine Subject in Early Modernism: Narratives of Self-Dissolution and Self-Construction in Psychoanalysis and Literature, 1900-1914 by John E. Toews | | 298 | | Pt. V | | Modernism and Anti-Psychologism | | | | 11 | | T. E. Hulme, Henri Bergson, and the Cultural Politics of Psychologism by Jesse Matz | | 339 | | 12 | | Modernism and the Specter of Psychologism by Martin Jay | | 352 | | | | Notes | | 367 | | | | Index | | 449 |
"This excellent, well-organized collection widens our understanding of the diverse representation of the psyche by modernists, as well as premodernists, in various intellectual and cultural domains. The development of the modern disciplines of psychology, including psychiatry and psychoanalysis, in conjunction with modernism provides fertile ground for establishing new connections that enrich our understanding of both the disciplines and modernism."  Be the first to write a customer review
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