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Napoleon Bonaparte occupied a central place in the consciousness of many British writers of the Romantic period. He was a profound shaping influence on their thinking and writing, and a powerful symbolic and mythic figure whom they used to legitimize and discredit a wide range of political and aesthetic positions. In this first ever full-length study of Romantic writers' obsession with Napoleon, Simon Bainbridge focuses on the writings of the Lake poets Wordsworth, Coleridge and Southey, and of Byron and Hazlitt. Combining detailed analyses of specific texts with broader historical and theoretical approaches, and illustrating his argument with the visual evidence of contemporary cartoons, Bainbridge shows how Romantic writers constructed, appropriated, and contested different Napoleons as a crucial part of their sustained and partisan engagement in the political and cultural debates of the day.
| ISBN | 0521024129 | | Volumes | 1 | | ISBN13 | 9780521024129
(What's this?) | | Weight (grammes) | 410 | | Publisher | Cambridge University Press | | Published in | Cambridge | | Imprint | Cambridge University Press | | Series editor | Butler, Marilyn, Chandler, James | | Format | Paperback | | Series title | Cambridge Studies in Romanticism | | Publication date | 23 Feb 2006 | | Height (mm) | 228 | | Library of Congress | PR457 .B25 1995 | | Width (mm) | 152 | | DEWEY | 821.709351 | | Spine width (mm) | 16 | | DEWEY edition | DC22 | | Academic level | Professional / Scholarly | | Pages | 276 | |
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Acknowledgements; Introduction: the poets and the conqueror; 1. A 'conqueror of kings' and a 'deliverer of men': the revolutionary figure of Napoleon in the writing of Coleridge, Southey and Landor; 2. 'In such strength of usurpation': Wordsworth's Napoleonic imagination; 3. 'Historiographer[s] to the King of Hell': The Lake poets' Peninsular campaign; 4. Staging history: Byron and Napoleon, 1813-1814; 5. 'The greatest event of modern times'; 6. 'A proud and full answer': Hazlitt's Napoleonic riposte; Conclusion: The Age of Bronze; Notes; Bibliography; Index.
The book's bold simplicity of focus is balanced by its interest in the complexities of representation, and the result is a study that sheds new light on neglected images and a refocused light on some prominent icons of the Romantic canon. Robert Lapp in European Romantic Review 9:1(Winter 1998) "...this book will keep its place on a convenient shelf for all intellectually curious students of English romantic poetry." Carl Woodring, Studies in Romanticism  Be the first to write a customer review
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