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For the past four decades Frank Kermode, critic and writer, has steadily established himself as one of the most brilliant minds of his generation. Questioning the public's harsh perception of 'the artist', Kermode at the same time gently pokes fun at artists' own, often inflated, self-image. He identifies what has become one of the defining characteristics of the Romantic tradition - the artist in isolation and the emerging power of the imagination. Back in print after an absence of over a decade, The Romantic Image is quintessential Kermode. Enlightenment has seldom been so enjoyable!
| ISBN | 0415261872 | | Pages | 224 | | ISBN13 | 9780415261876
(What's this?) | | Volumes | 1 | | Publisher | Taylor & Francis Ltd | | Weight (grammes) | 249 | | Imprint | Routledge | | Published in | London | | Format | Paperback | | Series title | Routledge Classics | | Publication date | 12 Oct 2001 | | Height (mm) | 198 | | Library of Congress | 2001048419 | | Width (mm) | 129 | | DEWEY | 801.95 | | Spine width (mm) | 18 | | DEWEY edition | DC21 | | Academic level | Undergraduate, Postgraduate, Professional / Scholarly |
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| | | Preface | | | | | | A Note on the Frontispiece | | | | Pt. I | | Dancer and Tree | | | | 1 | | The Artist in Isolation | | 3 | | 2 | | 'In Memory of Major Robert Gregory' | | 37 | | 3 | | The Image | | 52 | | 4 | | The Dancer | | 59 | | 5 | | The Tree | | 111 | | Pt. II | | The Twentieth Century | | | | 6 | | Arthur Symons | | 127 | | 7 | | T. E. Hulme | | 141 | | 8 | | 'Dissociation of Sensibility' | | 164 | | 9 | | Conclusion | | 192 | | | | Epilogue | | 198 | | | | Index | | 207 |
'Kermode's effortless learning, lucid intelligence and wry, self-deprecating style prove that, at its best, literary criticism itself is a lively art.' - Al Alvarez  Be the first to write a customer review
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