|
|
Contemporary Chronophotography and Experimental Digital Art
Paul St George
St George, Paul
ISBN: 9781905674763
Format: Paperback
Publisher:Wallflower Press
Write a review
This volume explores a form of contemporary art that uses sequences of images to explore ideas of space, time, movement, and duration. "Chronophotographers" first explored these ideas at the end of the nineteenth century. At the beginning of the twenty…
This volume explores a form of contemporary art that uses sequences of images to explore ideas of space, time, movement, and duration. "Chronophotographers" first explored these ideas at the end of the nineteenth century. At the beginning of the twenty-first, artists have found that sequences offer new opportunities for exploring the aesthetics at the intersection of time and space. This book contains a number of illustrated essays by international critics and theorists and discusses the work of a wide range of artists engaged in contemporary chronophotography.
| ISBN | 1905674767 | | Pages | 256 | | ISBN13 | 9781905674763
(What's this?) | | Volumes | 1 | | Publisher | Wallflower Press | | Weight (grammes) | 490 | | Imprint | Wallflower Press | | Published in | London | | Format | Paperback | | Series title | Imagetime | | Publication date | 28 Feb 2009 | | Height (mm) | 199 | | Library of Congress | TR267 | | Width (mm) | 134 | | DEWEY | 791.43 | | Spine width (mm) | 17 | | DEWEY edition | DC22 | | Academic level | General |
|
| |
| | | Foreword: 'A Storm on the Horizon' by Michael Maziere | | | | | | Introduction by Paul St George | | 1 | | | | Sequences - Contemporary Chronophotography and Experimental Digital Art | | 1 | | | | Continuous Motion: using chronophotography to explain how animation and cinema produce the illusion of continuous motion | | 5 | | | | Time Stops Everything Happening at Once: using chronophotography to solve Zeno's paradoxes | | 14 | | Pt. I | | The History of Chronophotography | | | | | | Chronophotography: Photographing Movement by Marta Braun | | 20 | | | | Fixed and Moving Waves in Etienne-Jules Marey's La Vague (1891) by Dominique de Font-Reaulx | | 48 | | | | The Photographic Instant and the Chosen Instant in Painting and Sculpture by Guisy Pisano | | 58 | | | | The True Retina of the Scientist: Scientific Photography under the Microscope by Denis Canguilhem | | 69 | | | | Scientific Cinema in the Public Eye by Thierry Lefebvre | | 80 | | Pt. II | | Contemporary Chronophotography and Art | | | | | | 'Supermoment' by Paul St George by Uriel Orlow | | 96 | | | | 'Turnbaby' by Babel by Jim Andrews | | 104 | | | | Srop Motion Studies (Series 3)' by David Crawford by Curt Cloninger | | 112 | | | | Shotgun Muzzle Blast Photographs' by Andrew Davidhazy by Giles Askham | | 120 | | | | Timepiece' by Tess Glanville by Adam Lloyd Monaghan | | 126 | | | | 'Tradar' by Pia Jonsson by Helen Cadwallader | | 132 | | | | 'Time-slice' and 'Bath Half Marathon' by Tim Macmillan by A. L. Rees | | 142 | | | | '8 Hours' by Martin Newth by Paul Tebbs | | 150 | | | | 'The Fly's Eye' by Andrea Polli by Karla Loring | | 158 | | | | 'Deception' by Bjorn Schulke by Werner Nekes | | 164 | | | | 'Border' by Darren Almond and 'CineSpinner' by Rufus Butler Seder by Ian Robertson | | 168 | | | More... | | |
|
|
|
|
|
Enlarge
