Showdown at High Noon

For more than fifty years, High Noon has been a touchstone in the popular imagination and a source of endless controversy about film art. On its release it was hailed as a masterpiece. But film historians and theorists have also reviled it almost from the beginning as pretentious "social realism" inspired by its screenwriter's victimization by the red-hunting House Committee on Un-American Activities. Showdown at High Noon is the study of a film caught between popular admiration and critical disdain. In order to understand how and why High Noon has elicited such disparate reactions, author Jeremy Byman explores all of its elements, from its origins in the mind of blacklisted screenwriter Carl Foreman to its long-lasting impact on culture, American and otherwise. High Noon not only affected the westerns that followed it, but also changed filmmaking in fundamental ways. By analyzing its political, cultural, and thematic implications, Byman reveals how this one film has had such a profound and enduring influence, a long lasting impact that cannot be so easily dismissed. Includes 8 pages of photos.

ISBN 0810849984   Volumes 1 ISBN13 9780810849983 (What's this?)   Weight (grammes) 472 Publisher Scarecrow Press   Published in Lanham, MD Imprint Scarecrow Press   Series ISSN 111 Format Paperback   Series title The Scarecrow Filmmakers Series Publication date 28 Jan 2004   Height (mm) 214 Library of Congress 2004000190   Width (mm) 171 DEWEY 791.4372   Spine width (mm) 21 DEWEY edition DC22   Academic level General Pages 344

Pt. I		The world of High noon
1		Showdown		3
2		High noon enters popular legend		17
3		Independent production and the rise of Stanley Kramer		29
4		The Red scare and the Blacklist		49
Pt. II		Communism and conformity
5		Writing High noon, facing the Blacklist		71
6		The failed community		103
Pt. III		Westerns and anti-Westerns
7		Formula and subversion		123
8		High noon and the end of the Western		159
Pt. IV		Auteurs, critics, and collaborative filmmaking
9		Auteurs and Westerns		181
10		The making of High noon		207
Pt. V		The film as film
11		A citizen named Kane		253
12		Noir at High noon		269

Argues that High Noon was seminal in anticipating the "new," darker Western, and that the film's realist aesthetic was particularly undervalued by auteur critics...fundamentally evaluative... CHOICE Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious social realism inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included... Reference and Research Book News Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious "social realism" inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included. Reference and Research Book News

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