|
|
|
Landeg White
ISBN: 9781905762743
Format: Paperback
Publisher:Parthian Books
Write a review
In the 1960s, Landeg White was chief arranger and bass pan player for Trinidad's Camboulays Steel Band. Forty years on, that same music can be heard in this, his eighth collection of poetry.
In the 1960s, Landeg White was chief arranger and bass pan player for Trinidad's Camboulays Steel Band. Forty years on, that same music can be heard in this, his 8th collection of poetry. Versatile in form, sensuous in language, cosmopolitan in range, White renews poetry's oldest themes. His celebrations of love, language, anger and mortality are securely earthed in Portugal where he now lives.
| ISBN | 1905762747 | | DEWEY | 821.914 | | ISBN13 | 9781905762743 (What's this?) | | DEWEY edition | DC22 | | Publisher | Parthian Books | | Pages | 120 | | Imprint | Parthian Books | | Published in | Cardigan | | Format | Paperback | | Academic level | General | | Publication date | 24 Sep 2009 | |
|
| |
| | | Moon-Struck | | 1 | | | | These Dusks | | 3 | | | | About Cicadas | | 4 | | | | The Catch | | 6 | | | | No Motto Please: We're British | | 7 | | | | Birds and Bees for my Son | | 9 | | | | George Bernard Shaw | | 10 | | | | Retirement Project | | 11 | | | | Do Not Go Gentle | | 13 | | | | With Whatever End in View | | 14 | | | | Saints' Days | | 17 | | | | Loudspeaker | | 20 | | | | So Much More | | 23 | | | | Fillers | | 24 | | | | Nothing Older | | 28 | | | | On Fearing Bay Trees | | 29 | | | | Harvesting Courgettes | | 31 | | | | Request Slip | | 32 | | | | Two pigeons | | 34 | | | | Proofs | | 35 | | | | Vagrant | | 37 | | | | No Dictator | | 39 | | | | When the Doggerel Turns Serious | | 41 | | | | Epistle to Dr Mapanje | | 43 | | | | End-rhymes | | 47 | | | | Padre Pedro's Cassock is Black | | 48 | | | | Breaking News | | 51 | | | | The Havoc | | 52 | | | | The Death of Trees | | 53 | | | | Kunte Kinte, etc. | | 54 | | | | The Balance | | 57 | | | | Singing Bass | | 59 | | | | The Evidence | | 60 | | | More... | | |
"The poems are unflaggingly good, with an audenesque ease of utterance overlaying anger, and a sensual vividness that has one wiping the dust from the eyes." The Observer "...accessible...evocative of place" Times Literary Supplement "White addresses fundamental issues unflinchingly." The Big Issue "A talent for vivid description...compelling in its evocation" Carrie Etter, New Welsh Review  Be the first to write a customer review
|
|
|
|
|