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The Cambridge Companion to Benjamin Britten is a comprehensive guide to the composer's work, aimed both at the non-specialist and music student. It sheds light on both the composer's stylistic and personal development, offering new interpretations of his operatic works and discussing his characteristic working methods. Topics treated here in detail for the first time include Britten's work in the cinema in the 1930s, his lifelong pacifism and his strong interest in the music of the Far East; other chapters include reassessments of his relationship with W. H. Auden and his attitude towards childhood, comprehensive analyses of major works and a concise history of the Aldeburgh Festival. A distinguished team of contributors include some who worked with the composer during his lifetime, as well as leading representatives of the younger generation of Britten scholars on both sides of the Atlantic.
| ISBN | 052157384X | | Volumes | 1 | | ISBN13 | 9780521573849 (What's this?) | | Weight (grammes) | 740 | | Publisher | Cambridge University Press | | Published in | Cambridge | | Imprint | Cambridge University Press | | Series editor | Cross, Jonathan, Cross, Jonathan, Cross, Jonathan | | Format | Hardback | | Series title | Cambridge Companions to Music | | Publication date | 13 Jun 1999 | | Height (mm) | 247 | | Library of Congress | ML410.B853 C36 1999 | | Width (mm) | 174 | | DEWEY | 780.92 | | Spine width (mm) | 23 | | DEWEY edition | DC21 | | Academic level | General, Professional / Scholarly, Tertiary education | | Pages | 368 | |
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| | | List of plates | | | | | | Notes on contributors | | | | | | Acknowledgements | | | | | | List of abbreviations | | | | | | Chronology | | | | | | Introduction by Mervyn Cooke | | 1 | | Pt. 1 | | Apprenticeship | | | | 1 | | Juvenilia (1922-1932) by Christopher Mark | | 11 | | 2 | | Britten, Auden and 'otherness' by Paul Kildea | | 36 | | 3 | | Britten in the cinema: Coal Face by Philip Reed | | 54 | | Pt. 2 | | The operas | | | | 4 | | 'He descended into Hell': Peter Grimes, Ellen Orford and salvation denied by Stephen Arthur Allen | | 81 | | 5 | | The chamber operas by Arnold Whittall | | 95 | | 6 | | Gloriana: Britten's 'slighted child' by Antonia Malloy-Chirgwin | | 113 | | 7 | | Britten and Shakespeare: A Midsummer Night's Dream by Mervyn Cooke | | 129 | | 8 | | Eros in life and death: Billy Budd and Death in Venice by Clifford Hindley | | 147 | | Pt. 3 | | Perspectives | | | | 9 | | Distant horizons: from Pagodaland to the Church Parables by Mervyn Cooke | | 167 | | 10 | | Violent climates by Donald Mitchell | | 188 | | 11 | | Britten as symphonist by Arved Ashby | | 217 | | 12 | | The concertos and early orchestral scores: aspects of style and aesthetic by Eric Roseberry | | 233 | | 13 | | The chamber music by Philip Rupprecht | | 245 | | 14 | | Music for voices by Ralph Woodward | | 260 | | Pt. 4 | | The composer in the community | | | | | More... | | |
' ... the serious student will be richly stimulated.' BBC Music Magazine 'Essential reading, then, for Britten students, containing much that will be of interest to the composers' wide and ever-widening circle of admirers.' Classical Music  Be the first to write a customer review
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