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The vibrant world of jazz may be viewed from many perspectives, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory. This volume of nineteen specially commissioned essays provides informed and accessible guidance to the challenge, offering the reader a range of expert views on the character, history and uses of jazz. The book starts by considering what kind of identity jazz has acquired and how, and goes on to discuss the crucial practices that define jazz and to examine some specific moments of historical change and some important issues for jazz study. Finally, it looks at a set of perspectives that illustrate different 'takes' on jazz - ways in which jazz has been valued and represented.
| ISBN | 0521663881 | | Volumes | 1 | | ISBN13 | 9780521663885 (What's this?) | | Weight (grammes) | 680 | | Publisher | Cambridge University Press | | Published in | Cambridge | | Imprint | Cambridge University Press | | Series editor | Cross, Jonathan | | Format | Paperback | | Series title | Cambridge Companions to Music | | Publication date | 09 Jan 2003 | | Previous ISBN | 9780521663205 | | Non-book description | xxii, 403 p. : | | Height (mm) | 244 | | Library of Congress | 2001052671 | | Width (mm) | 170 | | DEWEY | 781.65 | | Spine width (mm) | 22 | | DEWEY edition | DC21 | | Academic level | Tertiary education, General, Professional / Scholarly | | Pages | 428 | |
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| | | List of plates | | | | | | Notes on contributors | | | | | | Acknowledgements | | | | | | A brief chronology of jazz | | | | | | The word jazz by Krin Gabbard | | 1 | | 1 | | The identity of jazz by David Horn | | 9 | | 2 | | The jazz diaspora by Bruce Johnson | | 33 | | 3 | | The jazz audience by Jed Rasula | | 55 | | 4 | | Jazz and dance by Robert P. Crease | | 69 | | 5 | | Jazz as musical practice by Travis A. Jackson | | 83 | | 6 | | Jazz as cultural practice by Bruce Johnson | | 96 | | 7 | | Jazz improvisation by Ingrid Monson | | 114 | | 8 | | Spontaneity and organisation by Peter J. Martin | | 133 | | 9 | | Jazz among the classics, and the case of Duke Ellington by Mervyn Cooke | | 153 | | 10 | | 1959: the beginning of beyond by Darius Brubeck | | 177 | | 11 | | Free jazz and the avant-garde by Jeff Pressing | | 202 | | 12 | | Fusions and crossovers by Stuart Nicholson | | 217 | | 13 | | Learning jazz, teaching jazz by David Ake | | 255 | | 14 | | History, myth and legend: the problem of early jazz by David Sager | | 270 | | 15 | | Analysing jazz by Thomas Owens | | 286 | | 16 | | Valuing jazz by Robert Walser | | 301 | | 17 | | The jazz market by Dave Laing | | 321 | | 18 | | Images of jazz by Krin Gabbard | | 332 | | | | Notes | | 347 | | | | Works cited | | 357 | | | | Principal musicians cited | | 377 | | | More... | | |
'... most of the writers in this Companion are academics, and it's hard to fault the obvious passion underlying their diverse points of view.' BBC Music Magazine  Be the first to write a customer review
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