The Cambridge History of Literary Criticism: Volume 2, The Middle Ages

This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicising literature, followed by explanations of medieval views on literary imagination and memory and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.

ISBN 0521317185   Weight (grammes) 1260 ISBN13 9780521317184 (What's this?)   Published in Cambridge Publisher Cambridge University Press   Series ISSN 02 Imprint Cambridge University Press   Series title Cambridge History of Literary Criticism Format Paperback   Previous ISBN 9780521317191 Publication date 12 Feb 2009   Height (mm) 228 DEWEY 809   Width (mm) 152 DEWEY edition DC22   Spine width (mm) 43 Pages 882   Academic level Undergraduate, Postgraduate Volumes 1

Introduction Alastair Minnis and Ian Johnson; Part I. The Liberal Arts and the Arts of Latin Textuality: 1. Grammatica and literary theory Martin Irvine with David Thomson; 2. The arts of poetry and prose J. J. Murphy; 3. The arts of letter writing Ronald G. Witt; 4. The arts of preaching Siegfried Wenzel; Part II. The Study of Classical Authors: 5. From late antiquity until the twelfth century Winthrop Wetherbee; 6. From the twelfth century until c.1500 Vincent Gillespie; Part III. Textual Psychologies: Imagination, Memory, Pleasure: 7. Literary imagination and memory Alastair Minnis; 8. The profits of pleasure Glending Olson; Part IV. Vernacular Critical Traditions: The Early Middle Ages: 9. Medieval Irish literary theory and criticism Patrick Sims-Williams and Erich Poppe; 10. Anglo-Saxon textual attitudes Ananya Jahanara Kabir; 11. Literary theory and practice in early medieval Germany John Flood; 12. Literary criticism in Welsh before c.1300 Marged Haycock; 13. Criticism and literary theory in Old Norse-Icelandic Margaret Clunies Ross; Part V. Vernacular Critical Traditions: The Late Middle Ages: 14. Latin commentary tradition and vernacular literature Alastair Minnis, Ralph Hanna, Tony Hunt, Nigel Palmer and Ronald Keightley; 15. Vernacular literary consciousness: English, French, German Kevin Brownlee, Tony Hunt, Ian Johnson, Nigel Palmer and James Simpson; 16. Occitan grammars and the art of Troubadour poetry Simon Gaunt and John Marshall; 17. Literary theory and polemic in Castile, c.1200-c.1500 Julian Weiss; 18. Literary criticism in Middle High German literature Nigel Palmer; 19. Later literary criticism in Wales Gruffydd Aled Williams; Part VI. Latin and Vernacular in Italian Literary Theory: 20. Dante Alighieri: experimentation and (self-)exegesis Zygmunt G. Baranski; 21. The Epistle to Can Grande Zygmunt G. Baranski; 22. The Trecento commentaries on Dante's Commedia Steven Botterill; 23. Latin and vernacular from Dante to the age of Lorenzo (1321-c. 1500) Martin McLaughlin; 24. Humanist views on the study of Italian poetry in the early Italian Renaissance David Robey; 25. Humanist criticism of Latin and vernacular prose Martin McLaughlin; Part VII. Byzantine Literary Theory and Criticism: 26. Byzantine literary criticism and the uses of literature Thomas Conley; Bibliography; Index.

'... illuminating and informative account of medieval European literary theory and criticism, this volume deserves high praise.' Review of English Studies 'This monumental book ... written and masterfully edited by eminent specialists, marks an important innovation in the panorama of medieval studies in the English language.' Francesco Stella, Bryn Mawr Classical Review 'There are rich pickings here for all medievalists in that much of what is discussed transcends the narrow boundaries of individual fields of study ... Volume two of The Cambridge History of Literary Criticism is a monument to scholarship that ought to grace the shelves devoted to literary criticism of every self-respecting university library.' Anglia

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