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Architecture and the Senses
Juhani Pallasmaa
ISBN: 9780470015797
Format: Hardback
Publisher:John Wiley and Sons Ltd
Edition: 2nd Revised edition
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First published in 1996, The Eyes of the Skin has become a classic of architectural theory and is required reading on courses in schools of architecture around the world…
Since the book's first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.
| ISBN | 0470015799 | | DEWEY edition | DC22 | | ISBN13 | 9780470015797 (What's this?) | | Pages | 80 | | Publisher | John Wiley and Sons Ltd | | Volumes | 1 | | Imprint | John Wiley & Sons Ltd | | Weight (grammes) | 248 | | Format | Hardback | | Published in | Chichester | | Publication date | 22 Apr 2005 | | Height (mm) | 219 | | Writer of preface | Holl, Steven | | Width (mm) | 166 | | Library of Congress | 2005278384 | | Spine width (mm) | 11 | | DEWEY | 724.6 | | Academic level | Professional / Scholarly |
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| | | Preface : thin ice by Steven Holl | | 6 | | | | Introduction : touching the world by Juhani Pallasmaa | | 9 | | | | Vision and knowledge | | 15 | | | | Critics of ocularcentrism | | 19 | | | | The narcissistic and nihilistic eye | | 22 | | | | Oral versus visual space | | 24 | | | | Retinal architecture and the loss of plasticity | | 26 | | | | An architecture of visual images | | 30 | | | | Materiality and time | | 31 | | | | The rejection of Alberti's window | | 34 | | | | A new vision and sensory balance | | 35 | | | | The body in the centre | | 40 | | | | Multi-sensory experience | | 41 | | | | The significance of the shadow | | 46 | | | | Acoustic intimacy | | 49 | | | | Silence, time and solitude | | 51 | | | | Spaces of scent | | 54 | | | | The shape of touch | | 56 | | | | The taste of stone | | 59 | | | | Images of muscle and bone | | 60 | | | | Images of action | | 63 | | | | Bodily identification | | 64 | | | | Mimesis of the body | | 66 | | | | Spaces of memory and imagination | | 67 | | | | An architecture of the senses | | 70 | | | | The task of architecture | | 71 |
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