John Ireland (1879-1962) was as elusive as the music that he composed. His music resists easy categorization, in part because it is linked so closely to specific events, places and people in Ireland's personal life. This text explores the expressive and extra-musical qualities of Ireland's compositions and their complex system of personal musical symbols, images and ideas. Fiona Richards interweaves biography and musical analysis in a series of chapters that take their themes from the significant influences in Ireland's life: Anglo-Catholicism, paganism, the countryside, the city, love and war. Ireland emerges as highly individual, struggling with his religious beliefs, his sexuality, and an uncertainty as to his success. His music, often an expression of a state of mind, is given, for the first time, the close investigation that it merits. Ireland preferred to compose on a small scale, showing a masterful command of form and a gift for melody. Richards's reveals how the essence of the man shines through in the miniatures that he wrote.
| ISBN | 0754601110 | | DEWEY | 780.92 | | ISBN13 | 9780754601111
(What's this?) | | DEWEY edition | DC21 | | Publisher | Ashgate Publishing Group | | Pages | 320 | | Imprint | Ashgate Publishing Limited | | Weight (grammes) | 612 | | Format | Hardback | | Published in | Aldershot | | Publication date | 29 Dec 2000 | | Height (mm) | 161 | | Non-book description | xiv, 282 p. : | | Width (mm) | 241 | | Library of Congress | ML410.I785 | | Academic level | Undergraduate, Postgraduate, Professional / Scholarly |
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Introduction - aspects of John Ireland; Sonatas and fantasies - encountering Ireland; Anglo-Catholicism; Paganism; Country; City; Love; War; Songs and sonatas, sacred and profane - knowing Ireland
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