Taking English culture as its representative sample, The Secret History of Domesticity asks how the modern notion of the public-private relation emerged in the seventeenth and eighteenth centuries. Treating that relation as a crucial instance of the modern division of knowledge, Michael McKeon narrates its pre-history along with that of its essential component, domesticity. This narrative draws upon the entire spectrum of English people's experience. At the most "public" extreme are political developments like the formation of civil society over against the state, the rise of contractual thinking, and the devolution of absolutism from monarch to individual subject. The middle range of experience takes in the influence of Protestant and scientific thought, the printed publication of the private, the conceptualization of virtual publics-society, public opinion, the market-and the capitalization of production, the decline of the domestic economy, and the increase in the sexual division of labor. The most "private" pole of experience involves the privatization of marriage, the family, and the household, and the complex entanglement of femininity, interiority, subjectivity, and sexuality. McKeon accounts for how the relationship between public and private experience first became intelligible as a variable interaction of distinct modes of being-not a static dichotomy, but a tool to think with. Richly illustrated with nearly 100 images, including paintings, engravings, woodcuts, and a representative selection of architectural floor plans for domestic interiors, this volume reads graphic forms to emphasize how susceptible the public-private relation was to concrete and spatial representation. McKeon is similarly attentive to how literary forms evoked a tangible sense of public-private relations-among them figurative imagery, allegorical narration, parody, the author-character-reader dialectic, aesthetic distance, and free indirect discourse. He also finds a structural analogue for the emergence of the modern public-private relation in the conjunction of what contemporaries called the "secret history" and the domestic novel. A capacious and synthetic historical investigation, The Secret History of Domesticity exemplifies how the methods of literary interpretation and historical analysis can inform and enrich one another.
| ISBN | 080188540X | | Volumes | 1 | | ISBN13 | 9780801885402 (What's this?) | | Weight (grammes) | 1271 | | Publisher | Johns Hopkins University Press | | Published in | Baltimore, MD | | Imprint | Johns Hopkins University Press | | Series title | Director's Circle Book | | Format | Paperback | | Height (mm) | 235 | | Publication date | 19 Jan 2007 | | Width (mm) | 155 | | DEWEY | 306.42 | | Spine width (mm) | 52 | | DEWEY edition | DC22 | | Academic level | Undergraduate, Postgraduate, Professional / Scholarly | | Pages | 904 | | Interest age | From 17 |
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The strength of the book lies in the wealth of historical, literary, and pictorial examples that evoke the texture of domesticity, from bedchambers to bigamy. New Yorker 2006 Its central argument is wonderfully simple... McKeon will set new agendas in the understanding of the early modern to modern eras. -- Brean S. Hammond Times Literary Supplement 2006 Those in the fields of 17th- and 18th-century cultural studies will find this book fascinating. Choice 2006 The scholarship is breathtaking and the intellectual analysis rigorous. -- Cynthia Wall Studies in English Literature 2006 McKeon's scholarship is commanding, his erudition staggering, his systematic rigour and intellectual control steady and sure. -- John Richetti Eighteenth-Century Fiction 2007 A gift to all teachers and scholars of the British novel. -- Cheri L. Larsen Hoeckley Christianity and Literature 2007 I have assigned this book to graduate students... Accounting for most of what has gone on in the last thirty years of scholarship in its dynamic synthesis, The Secret History of Domesticity lays the groundwork for new inquiry into eighteenth-century life. As a reader, as a scholar, and as a teacher, I am grateful for it. -- Erin Mackie Eighteenth-Century Life 2009

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