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Nick Groom
ISBN: 9780333725863
Format: Hardback
Publisher:Palgrave Macmillan
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Thomas Chatterton wrote poetry, forged medieval manuscripts, and died in tragic and mysterious circumstanceseither adolescent suicide or accidental drug overdose. This book restores Chatterton as a seminal figure in English literature. It is a major collection of diverse new essays by writers, biographers, critics, and scholars, showing the mercurial Chatterton in new contexts, perpetually challenging the genres of writing: ultimately mixing history, fiction, and myth in a great post…
Thomas Chatterton wrote poetry, forged medieval manuscripts, and died in tragic and mysterious circumstances - either adolescent suicide or accidental drug overdose. He left reams of original poetry, and a vast and complex archive of medieval works supposedly discovered in a Bristol church. The debate about the authenticity of these 'Rowley' papers was a pivotal episode in the history of eighteenth-century letters that ultimately established Chatterton as the herald of Romanticism and an inspiration for later poets. And yet there has been almost no critical work on this extraordinary and influential writer. This book restores Chatterton as a seminal figure in English literature. It is a major collection of diverse new essays by writers, biographers, critics, and scholars, showing the mercurial Chatterton in new contexts, perpetually challenging the genres of writing: ultimately mixing history, fiction, and myth in a great post-Enlightenment reinvention of the past. As Peter Ackroyd says in his foreword, Thomas Chatterton is 'the one great genius of historical restoration and renewal in this country'.
| ISBN | 0333725867 | | DEWEY edition | DC21 | | ISBN13 | 9780333725863 (What's this?) | | Pages | 312 | | Publisher | Palgrave Macmillan | | Weight (grammes) | 585 | | Imprint | Palgrave Macmillan | | Published in | Basingstoke | | Format | Hardback | | Height (mm) | 223 | | Publication date | 30 Sep 1999 | | Width (mm) | 143 | | Writer of foreword | Thomas Chatterton, Peter Ackroyd | | Spine width (mm) | 27 | | DEWEY | 821.6 | | Academic level | Undergraduate, Postgraduate, Professional / Scholarly |
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| | | Illustrations | | | | | | Abbreviations | | | | | | Acknowledgements | | | | | | Contributors | | | | | | Preface by Peter Ackroyd | | 1 | | 1 | | Introduction by Nick Groom | | 3 | | Pt. I | | Life and Works | | | | 2 | | Unparodying and Forgery: The Augustan Chatterton by Claude Rawson | | 15 | | 3 | | The Originality of Chatterton's Art by Georges Lamoine | | 32 | | 4 | | 'On Tiber's Banks': Chatterton and Post-Colonialism by Carolyn D. Williams | | 48 | | 5 | | The Mythical Image: Chatterton, King Arthur, and Heraldry by Inga Bryden | | 64 | | 6 | | In Your Face by Timothy Morton | | 79 | | 7 | | 'This Necessary Knowledge': Thomas Chatterton and the Ways of the London Book Trade by Michael F. Suarez | | 96 | | App. I | | Works by Chatterton Published in His Own Lifetime | | 114 | | App. II | | An Analysis of Chatterton's Publications | | 117 | | Pt. II | | The Rowley Controversy and After | | | | 8 | | Chatterton and the Club by Pat Rogers | | 121 | | 9 | | 'Truth Sacrifising to the Muses': The Rowley Controversy and the Genesis of the Romantic Chatterton by Maria Grazia Lolla | | 151 | | 10 | | Chatterton and Johnson: Authority and Filiation in the 1770s by Paul Baines | | 172 | | 11 | | Fragments, Reliques, & MSS: Chatterton and Percy by Nick Groom | | 188 | | 12 | | Nostalgic Chatterton: Fictions of Poetic Identity and the Forging of a Self-Taught Tradition by Bridget Keegan | | 210 | | 13 | | Chatterton's Poetic Afterlife, 1770-1794: A Context for Coleridge's Monody by David Fairer | | 228 | | 14 | | Forging The Poet: Some Early Pictures of Thomas Chatterton by Richard Holmes | | 253 | | | More... | | |
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