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Groundbreaking art from a revolutionary era, featuring work by more than 120 international artists, from Louise Bourgeois and Yoko Ono to Martha Rosler, Marina Abramovič, and Cindy Sherman.
| ISBN | 0914357999 | | Pages | 512 | | ISBN13 | 9780914357995
(What's this?) | | Volumes | 1 | | Publisher | Museum of Contemporary Art,Los Angeles | | Weight (grammes) | 2065 | | Imprint | Museum of Contemporary Art,Los Angeles | | Published in | Los Angeles | | Format | Hardback | | Height (mm) | 267 | | Publication date | 02 Mar 2007 | | Width (mm) | 229 | | Library of Congress | 2006046940 | | Spine width (mm) | 38 | | DEWEY | 704.0420904707453 | | Academic level | Professional / Scholarly | | DEWEY edition | DC22 | |
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| | | Art and feminism : an ideology of shifting criteria by Cornelia Butler | | 14 | | | | Plates | | 26 | | | | Artist biographies | | 209 | | | | Chronology through cartography : mapping 1970s feminist art globally by Marsha Meskimmon | | 322 | | | | The woman who never was : self-representation, photography, and first-wave feminist art by Abigail Solomon-Godeau | | 336 | | | | The returns of touch : feminist performances, 1960-80 by Peggy Phelan | | 346 | | | | Hard targets : male bodies, feminist art, and the force of censorship in the 1970s by Richard Meyer | | 362 | | | | Voices and images of Italian feminism by Judith Russi Kirshner | | 384 | | | | Abundant evidence : black women artists of the 1960s and 70s by Valerie Smith | | 400 | | | | Fugitive identities and dissenting code-systems : women artists during the military dictatorship in Chile by Nelly Richard | | 414 | | | | Painting with ambivalence by Helen Molesworth | | 428 | | | | Their memory is playing tricks on her : notes toward a calligraphy of rage by Catherine Lord | | 440 | | | | The feminist nomad : the all-women group show by Jenni Sorkin | | 458 | | | | Selected chronology of all-women group exhibitions, 1943-83 | | 473 |
"This is a cultural excavation project: Much of the work here hasn't been seen in decades. But it's also an argument for the revision of recent art history." -- Robert L. Pincus, ""San Diego Union-Tribute""  Be the first to write a customer review
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