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History, Subjectivity, Aesthetics
Marsha Meskimmon (Loughborough University)
ISBN: 9780415242783
Format: Paperback
Publisher:Taylor & Francis Ltd
Edition: illustrated edition
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Women's art has often been seen as secondary or has gone unrecognized altogether. Mobilizing contemporary feminist thinking, Marsha Meskimmon questions why this should be so and what it would take for us to realize the extent of women's extraordinary contribution to the arts.
Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognised altogether. Women Making Art asks why this is so, and what it would take for us to realise the extent of women's extraordinary contribution to the arts. Meskimmon examines work by a wide range of women artists from different cultures and historical periods, including Rebecca Horn, Rachel Whiteread, Shirin Neshat and Maya Lin, emphasising the diversity of women's art and the importance of differences between women.
| ISBN | 0415242789 | | Pages | 272 | | ISBN13 | 9780415242783 (What's this?) | | Volumes | 1 | | Publisher | Taylor & Francis Ltd | | Weight (grammes) | 544 | | Imprint | Routledge | | Published in | London | | Format | Paperback | | Height (mm) | 234 | | Publication date | 16 Jan 2003 | | Width (mm) | 156 | | Library of Congress | N8354.M47 | | Spine width (mm) | 13 | | DEWEY | 704.042 | | Academic level | Tertiary education, Professional / Scholarly, General | | DEWEY edition | DC21 | |
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| | | List of illustrations | | | | | | Acknowledgements | | | | | | Introduction: women making art | | 1 | | Pt. I | | History | | 11 | | 1 | | Exiled histories: Holocaust and Heimat | | 17 | | 2 | | Corporeal cartography: women artists of the anglophone African diaspora | | 35 | | 3 | | Re-inscribing histories: Viet Nam and representation | | 50 | | Pt. II | | Subjectivity | | 69 | | 4 | | Embodiment: space and situated knowledge | | 75 | | 5 | | Performativity: desire and the inscribed body | | 91 | | 6 | | Becoming: individuals, collectives and wondrous machines | | 110 | | Pt. III | | Aesthetics | | 129 | | 7 | | Pleasure and knowledge: 'Orientalism' and filmic vision | | 135 | | 8 | | The word and the flesh: text/image re-made | | 151 | | 9 | | The place of time: Australian feminist art and theory | | 168 | | | | Afterword: On Wonder | | 185 | | | | Notes | | 186 | | | | Bibliography | | 209 | | | | Index | | 223 |
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