|
|
Representing an unprecedented collaboration among international scholars from Asia, Europe, and the United States, this volume rewrites the history of East Asia by rethinking the contentious relationship between Confucianism and women. The authors discuss the absence of women in the Confucian canonical tradition and examine the presence of women in politics, family, education, and art in premodern China, Korea, and Japan. What emerges is a concept of Confucianism that is dynamic instead of monolithic in shaping the cultures of East Asian societies. As teachers, mothers, writers, and rulers, women were active agents in this process. Neither rebels nor victims, these women embraced aspects of official norms while resisting others. The essays present a powerful image of what it meant to be female and to live a woman's life in a variety of social settings and historical circumstances. Challenging the conventional notion of Confucianism as an oppressive tradition that victimized women, this provocative book reveals it as a modern construct that does not reflect the social and cultural histories of East Asia before the nineteenth century.
| ISBN | 0520231384 | | Pages | 350 | | ISBN13 | 9780520231382 (What's this?) | | Volumes | 1 | | Publisher | University of California Press | | Weight (grammes) | 485 | | Imprint | University of California Press | | Published in | Berkerley | | Format | Paperback | | Height (mm) | 225 | | Publication date | 28 Aug 2003 | | Width (mm) | 152 | | Library of Congress | 2003001855 | | Spine width (mm) | 19 | | DEWEY | 305.42095 | | Academic level | Professional / Scholarly | | DEWEY edition | DC21 | |
|
| |
| | | LIST OF ILLUSTRATIONS AND TABLES | | | | | | PREFACE | | | | | | NOTES ON CONVENTIONS | | | | | | COMPARATIVE TIME CHART FOR CHINA, KOREA, AND JAPAN | | | | | | Introduction | | 1 | | | | PART I. SCRIPTS OF MALE DOMINANCE | | | | | | I. The Patriarchal Family Paradigm in Eighth-Century Japan | | | | | | Hiroko Sekiguchi | | 27 | | | | 2. The Last Classical Female Sovereign: Køken-Shøtoku Tennø | | | | | | Joan R. Piggott | | 47 | | | | 3. Representation of Females in Twelfth-Century Korean Historiography | | | | | | Hai-soon Lee | | 75 | | | | 4. The Presence and Absence of Female Musicians and Music in China | | | | | | Joseph S. C. Lam | | 97 | | | | PART II. PROPAGATING CONFUCIAN VIRTUES | | | | | | 5. Women and the Transmission of Confucian Culture in Song China | | | | | | Jian Zang | | 123 | | | | 6. Propagating Female Virtues in Chosøn Korea | | | | | | Martin Deuchler | | 142 | | | | 7. State Indoctrination of Filial Piety in Tokugawa Japan: Sons and Daughters in the Official Records of Filial Piety | | | | | | Noriko Sugano | | 170 | | | | PART III. FEMALE EDUCATION IN PRACTICE | | | | | | 8. Norms and Texts for Women's Education in Tokugawa Japan | | | | | | Martha C. Tocco | | 193 | | | | 9. Competing Claims on Womanly Virtue in Late Imperial China | | | | | | Fangqin Du and Susan Mann | | 219 | | | | PART IV. CORPOREAL AND TEXTUAL. EXPRESSIONS OF FEMALE SUBJECTIVITY | | | | | More... | | |
|
|
|
|
|