|
|
|
Massai, Sonia
Sonia Massai
ISBN: 9780415324564
Format: Paperback
Publisher:Taylor & Francis Ltd
Edition: New edition
Write a review
'World-Wide Shakespeares' brings together an international team of leading scholars in order to explore the appropriation of Shakespeare's plays in film and performance around the world.
An international team of leading scholars explore the appropriation of Shakespeare's plays in film and performance around the world. In particular, the book examines the ways in which adapters and directors have put Shakespeare into dialogue with local traditions and contexts. The contributors look in turn at 'local' Shakespeares for local, national and international audiences, covering a range of English and foreign appropriations that challenge geographical and cultural oppositions between 'centre' and 'periphery', and 'big-time' and 'small-time' Shakespeares. Their specialist knowledges of local cultures and traditions make the range of appropriations newly accessible-and newly fascinating-for world-wide readers. Drawing upon debates around the global/local dimensions of cultural production and on Pierre Bourdieu's notion of the 'cultural field', the contributors together demonstrate a significant new approach to intercultural appropriations of Shakespeare. Responding to a surge of critical interest in the poetics and politics of appropriation, "World-Wide Shakespeares" represents a valuable resource for those interested in the afterlife of Shakespeare in film and performance, within and beyond Anglophone cultural centres.
| ISBN | 0415324564 | | Pages | 288 | | ISBN13 | 9780415324564 (What's this?) | | Volumes | 1 | | Publisher | Taylor & Francis Ltd | | Weight (grammes) | 331 | | Imprint | Routledge | | Published in | London | | Format | Paperback | | Height (mm) | 234 | | Publication date | 19 Jul 2005 | | Width (mm) | 156 | | Library of Congress | PR2880.A1 | | Spine width (mm) | 12 | | DEWEY | 822.33 | | Academic level | General | | DEWEY edition | DC22 | |
|
| |
| 1 | | Defining local Shakespeares by Sonia Massai | | 3 | | 2 | | A branch of the Blue Nile : Derek Walcott and the tropic of Shakespeare by Tobias Doring | | 15 | | 3 | | Political Pericles by Suzanne Gossett | | 23 | | 4 | | Shylock as crypto-Jew : a new Mexican adaptation of The merchant of Venice by Elizabeth Klein and Michael Shapiro | | 31 | | 5 | | Negotiating intercultural spaces : Much ado about nothing and Romeo and Juliet on the Chinese stage by Ruru Li | | 40 | | 6 | | 'It is the bloody business which informs thus...' : local politics and performative praxis, Macbeth in India by Poonam Trivedi | | 47 | | 7 | | Relocating and dislocating Shakespeare in Robert Sturua's Twelfth night and Alexander Morfov's The tempest by Boika Sokolova | | 57 | | 8 | | 'I am not bound to please thee with my answers' : The merchant of Venice on the post-war German stage by Sabine Schulting | | 65 | | 9 | | Katherina 'humanized' : abusing the shrew on the Prague stage by Marcela Kostihova | | 72 | | 10 | | Shooting the hero : the cinematic career of Henry V from Laurence Olivier to Philip Purser by Tom Hoenselaars | | 80 | | 11 | | Lamentable tragedy or black comedy? : Friedrich Durrenmatt's adaptation of Titus Andronicus by Lukas Erne | | 88 | | 12 | | Subjection and redemption in Pasolini's Othello by Sonia Massai | | 95 | | 13 | | 'Meaning by Shakespeare' south of the border by Alfredo Michel Modenessi | | 104 | | 14 | | Dreams of England by Robert Shaughnessy | | 112 | | 15 | | The cultural logic of 'correcting' The merchant of Venice by Maria Jones | | 122 | | 16 | | Dancing with art : Robert Lepage's Elsinore by Margaret Jane Kidnie | | 133 | | 17 | | Hekepia? : the Mana of the Maori Merchant by Mark Houlahan | | 141 | | 18 | | The haiku Macbeth : Shakespearean antithetical minimalism in Kurosawa's Kumonosu-jo by Saviour Catania | | 149 | | 19 | | Afterword by Barbara Hodgdon | | 157 |
'A very significant contribution to the growing body of critical literature on Shakespeare appropriations within specific theatrical and critical traditions around the globe.' - Jill Levenson, University of Toronto, Canada 'Massai's definition and focus on the importance of "locality" in worldwide Shakespeare appropriations challenges, even as it extends, other recent scholarship tracing Shakespeare's "afterlife."' - Robert Sawyer, East Tennessee State University, USA 'World-Wide Shakespeares is undoubtedly a valuable and timely addition to our understanding of what artists are doing to and with Shakespeare across the globe and how their work signifies both locally and internationally.' - Robert Ormsby, Review of Literature
Be the first to write a customer review
|
|
|
|
|